Desert sojourn with Joshua Tree magic domes

I am in love with the desert. It offers a vastness, and a silent beauty that is totally unique. It is not an easy lover, demanding great focus, attention and surrender to meet its passionate embrace. It is also subtle, the entry into its mysteries requiring a quiet study of its paradoxical delicate intensity. If you hang in there while it kicks your ass, you may receive its enchanting, elusive gifts. Texas and New Mexico were my desert initiators, and although I am residing in the arid portion of  Washington state now, a part of me still yearns deeply for the southern desert lands. photo-1 I just spent a fascinating week going from the surrealistic facade of Palm Spring to the otherworldly Joshua Tree. Both environments feel like a dream to me. One irrigating itself into erotic abundance controlled within an inch of its life, while Joshua Tree, on the other hand, is filled with a band of bright, shiny outlaws. If Palm Springs is the wealthy, St. John wearing matriarch, Joshua Tree is the “Steal this Book” rebel who wants to blow it all up and then dance around the flames. All the southern California people were incredibly tan and wore glorious, garish clothing and accessories that could seem clownish in the staid pacific northwest. I LOVED every minute of it, and strutted my own Technicolor feathers.

BonitaFoxPodsmMy soul sister, Lisa Starr, has literally planted herself in the Joshua Tree soil. Lisa and I met about seven years ago when we both went on a transformative pilgrimage to the Hopi lands with our teachers Maria and Lynda Yraceburu. That trip was my gateway to moving to the Southwest, and my life has never been the same. Two and a half years ago Lisa and her partner Gabriel began the ambitious project of building a sustainable life in the desert through creating cylindrical, earthen structures. Their homestead, Bonita Domes, looks like an organic outgrowth of the land, these ancient feeling dwellings speaking to the soul. I was blessed to sleep in one of the two pods they rent, and when I crawled through the magic little arched doorway, my little girl was sparkling with delight. It is the neatest fort ever. Nestled in the cool, golden adobe walls, protected from the heat and the wind, I was profoundly held and taken care of. Because the outer environment can be so harsh, the comfort of these solid earthen structures is even more pronounced. It is a true sanctuary in the desert.  Lisa also makes sacred drums, and offers classes in creating your own elk hide instrument. If you are in JT, go stay with Lisa and Gabe: https://www.airbnb.com/rooms/499485photo-5 photo-6

Enjoy the mix of photos from Palm Springs and Joshua Tree. The bull snake pictured came in my dreams the night before, and then revealed herself in the compound that morning. I also saw my first desert turtle. Way cool. I will end with a quote from page 21 of the photography book, Crimes and Splendors: Desert Cantos of Richard Misrach. Yes, it is one of the places I also feel most alive.

“Desert are generally seen as a zone of passage rather than as a place of habitation or extended study. Their inhospitable climate (intense heat and cold, glaring light, and lack of water or shelter) and vast scale discourage cultivation, or even lingering observation. Misrach, however, acknowledges that he enjoys working in there. “it is the heat,” he told editor Melissa Harris, “the feel of the earth, the rich solitude and silence, and the remarkable scale of everything that makes being there so deeply fulfilling….Physically and mentally, that’s where I feel the most alive.” 

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Box Car Graffiti looking like a Franz Kline painting

These hipstamatic images are so abstract and interesting. The faux tintype lens and “film” makes for interesting focuses and shadows. The top image looks like abstract impressionist painter Franz Kline’s work. Not bad for a boxcar in Ellensburg behind the Goodwill. A funny Franz Kline story. My parents had the same Franz Kline poster in their apartment when they got married that my husband had almost 30 years later. I think they all were separated at birth. Funny to see the sixties image of my groovy parents with a current image in your home. I guess that Franz Kline poster had staying power. Like the Farrah poster? Mellissae Lucia TTboxcargraffitiGoodwill TTboxcarGraffitwordsOh, I just looked up the poster and the original is $1400.00 on ebay!! wow.

Franz Kline poster from 1958

Franz Kline poster from 1958

 

The Oracle Awakens, Infinite Permission embodied

Infinite Permission creators Mellissae Lucia & Wendy Mulhern

Infinite Permission creators Mellissae Lucia & Wendy Mulhern

Deeply transformative initiations take time to integrate. So I am finally settling in to share about a pivotal event a couple of weeks ago. On February 2nd, my Oracle awakened through exploring the themes in the new book, Infinite Permission, by Wendy Mulhern and myself. It was the coming out ball for this new work questioning all of our ideas about identity, purpose, body image, and personal liberation. With a band of brave explorers we created a container filled with dance, ritual, music, divination, poetry, and my shrouded Oracle awakening on her high seat.

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From Caryn Love, dancer, dreamer, and temple maker the night of the performance:

Great job…It all came thru real, right on and in truth.  Glad I was able to witness.  No more masks required for any of us!

And more the next morning from Caryn:

That was magnificent! It was really magnificent last night to watch and witness friends and all of the depictions of the truth, and it was even more magnificent this morning to feel it running back in to me, and nudging the evolution of my conscious today. Bless you all.

Mellissae Lucia

No more masks required.

This was a big step for me to publicly, and openly, channel my Oracle of Initiation cards. I have done this privately in ceremonies, in workshops and divination readings, and to write the messages of the cross-cultural guardians in the Oracle book, but never for an unknown crowd. Wendy invited me to collaborate on her first collection of poetry because she saw the same “raw honesty, surrender, and receptivity” in my Painted Body ritualistic photography series as is entailed in her poetry writing.

Mellissae Lucia

The Painted Body process in the New Mexico desert was my fiercely honest, receptive surrender to embodying my own infinite permission. I was alone, and nude, dancing with the elements as the camera captured the dissolution of my “Self.” It was my descent into full-bodied erotic freedom that is feared and vilified in our fractured culture.

Mellissae Lucia

Publicly coming out as a living, breathing Oracle was my next step in trusting my own journey of getting out-of-the-way and allowing Spirit to work though me. The event was the circling around again to the beginning when I did not trust that I would be met in my artistic and spiritual processes, grappling with my fears about safety and protection, and insecurity about how I would be able to show up. This Infinite Permission event blew through all of those feelings again, and then offered the deep satisfaction of being met and showing up fully and authentically. Such a gift.

Mellissae Lucia

The inspiration for the Oracle upon the “high seat” is from my Norse shamanic heritage. The Scandinavian Sami diviners, the volvas, would travel the land offering their services as a vessel between the worlds. The process, sedr, as it is translated from the old texts has the volva sitting on a chair upon a table shrouded. She has a staff in her hand, and in the four directions sacred singers carry her back and forth between the worlds. This has always been deeply inspiring, and I saw myself in the position when visioning the event.

Kiymbah shrouding the Oracle

Kiymbah shrouding the Oracle

Below are some of the intimate moments from the creation of this event.

Big love to Virginia Carhart Haedt and her exuberant explosion of joy from the poem  Epiphany; Bruce Haedt with his soulful Soul Retrieval piece; Maryann Schumacher and her soaring vocalizations; Kiymbah Tytania’s glorious headdresses & costumes and oracular wisdom; Kenny Telesco’s powerful force claiming All I Want; Edward Mulhern’s indigenous drum beats accompanying the Painted Body slide shows, and his AV wizardry; Sarah Zabel as stage manager extraordinaire; and Will Sugg, guardian, sacred crown creator, and dedicated video man. And big love to all who experienced this magical undertaking with us, such a beautiful coming together. Mellissae Lucia IMG_0525 copy IMG_0538 copy IMG_0570 copy IMG_0578 copy photo-9 copy photo-12 copy photo-17 copy photo-19 copy photo-25 copy photo-27 copy photo-28 copy

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Mellissae Lucia

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To order the Infinite Permission book go to: http://www.amazon.com/s?ie=UTF8&field-author=Wendy%20Mulhern&page=1&rh=n%3A283155%2Cp_27%3AWendy%20Mulhern

All images copyright Mellissae Lucia 2013

 

Infinite Permission Art, Poetry and Oracle Event in Seattle this Saturday, February 2nd, 2013

Join us this Saturday, February 2nd, to celebrate this season of returning radiance; gathering as we once did, entering the temple of story and dance, of mythic retelling and oracular wisdom through experiencing the new book Infinite Permission by Wendy Mulhern and myself. 

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Exploring the confluence of the tender and revolutionary ideas in Wendy Mulhern’s poetry with the fierce and shape-shifting Painted Body ritualistic photography work of Mellissae Lucia, we shall craft a collaborative event embracing the spirit of instinctive freedom.

Portions of the program will be interactive performances speaking directly to your questions about self-authority and embodied knowing. This is a unique opportunity to explore the issues we are all grappling with in a sacred collective container.  It is time for all of us to share our brilliance; we need each of our voices to guide us into the New Reality.

Along with Wendy Mulhern and Mellissae Lucia, the event will feature fellow artists and apprentices to the mystery Virginia Carhart Headt, Bruce Haedt, Maryann Schumacher, Edward Mulhern, Kiymbah Tytania, and Kenny Telesco as magicians of ceremonial delight.

When: This Saturday, February 2nd, 2013

7:00-9:30 PM

Where: Queen Anne United Methodist Church

1606 5th AVE West, Seattle, WA 98119

How: $15.00-20.00 at the door, $10.00 with the purchase of a book

To see more of Wendy’s poetry go to: http://www.wendymulhern.com/

To see more about Mellissae Lucia’s artwork got to: http://www.oracleofinitiation.com/

 

 Body Rapture

Mellissae Lucia

Let the body rapture

lead you out

beyond the tentacles of words

beyond the weights and measures of the mind

the body knows it loves, it doesn’t care

about constraints of boxes and conditions

doesn’t need permission

doesn’t need directions

has its own affection

makes its own connection

precisely tuned to every move and glance

The body rapture knows

love is pure enough to move you

in the deep perfection

of the dance.

 

Poem ©2011 Wendy Mulhern

Cowgirl Bling Bling with Hipstamatic Double Exposure

My inner cowgirl is very happy. Here are some groovy pictures of sacred rodeo adornments, ropes of many colors, horse talismans, the sacred manly trucks, and even Bling Bling skater shoes and cowgirl boots with Benjamins on them from one of the local Feed Stores. Hip Hop meets down home. I took these with my double exposure Hipstamatic app. I am so addicted.   Mellissae Lucia Mellissae Lucia photo-12 photo-13 photo-14 photo-15 photo-16